Politics & Society

"We only see our side bleeding. Call it justice, call it fate."

Meanwhile the “game” keeps paying out in conflict. Q: Who profits when we stay angry?

“If you deserve safety, who else is it for?”

Protective Radius sits in the tension between personal love and universal ethics. It looks at how protecting someone you love can sharpen your sense of right and wrong—or turn into tribal bias you can’t see anymore. The song keeps circling one question: if this one person’s life matters, where do you stop extending that logic?

“I didn’t start with hate in me, it was taught like geography.”

“Taught Not To See” is a neo-soul / conscious R&B track about indoctrinated dehumanisation – how systems teach us that some people are “less than human” so cruelty feels normal.

It looks at propaganda, racism, and the moment that breaks when you actually meet the “enemy” face to face and see a real person instead of a label.

“They say it’s survival, say it’s us or them.”

“No Choice (They Say)” is a dark cinematic hip-hop track about how genocidal violence gets packaged as “self-defence” and “survival.” It digs into propaganda, fear-mongering, and the way leaders erase third options by repeating one line: “We have no choice.”

“If the goal never lands, can you live with what you’ve done?”

“Ends and Means” is a conscious hip-hop track about moral grey zones: when we justify ugly actions with pretty goals. It asks what’s left if the plan fails and all you’re left with are the methods you used on real people.

"Give me leaders who admit they’re small. Still building something brave through the possible."

“Scars on the Blueprint” is a philosophical indie folk song about the difference between earned idealism and utopian fantasy.

It’s for people who still believe in “better worlds”, but only after they’ve been through loss, failure, and responsibility. Hope that’s walked through fire instead of floating above reality.

"And somewhere ahead… We meet as real."

Somewhere between rebellion and reflection, we’re all just trying to drive forward without going off the edge.

“Pendulum Highway” is a song about the emotional cycles we live through—politically, socially, personally. Inspired by films like Thelma & Louise, and the broader swing between hope and backlash, this song explores what it means to stand between sides, not in neutrality, but in conscious resistance. Not choosing “left” or “right,” but choosing evolution.

🛣️ The pendulum keeps swinging. 🧠 But some of us are learning to think in systems. 🎙️ This is for those who want to build something better—slowly, quietly, together.

“They don’t hate ‘cause they’re evil — they hate ‘cause they hurt.”

This song is about the kind of pain that gets ignored. The loneliness that gets mistaken for hate. And the stories that pull people into darkness when no one’s there to offer light.

I was inspired by real interviews with former extremists, mass shooting survivors, and families torn apart by ideology. It reminded me that you don’t save someone by yelling at them — You save them by sitting by the cave, and listening.

"Let the wisest lead, but not alone. Let the people shape the stone."

Who deserves power — the rich, the loud… or the wise?

This song is a quiet rebellion. A meditation on leadership, wealth, and the myth that those at the top must be the best among us. What if the real leaders are the quiet ones? The ones who see clearly but don't seek control?

"The Wisest Should Lead" reflects on the old idea — echoed in history, philosophy — that society often mistakes money for wisdom. But what if we chose differently?

"Maybe strength is found in grace. Not just in those who own the place."

What if the system isn't broken — what if it’s working exactly as designed?

This song is a quiet fury. A haunting reflection on an old and dangerous idea:

That wealth means worth. That power means virtue. That the winners deserve to win.

We grew up with it — in history books, business school slogans, and political speeches. But what if the "best men" weren’t the wisest? What if truth walks barefoot, and wisdom dies unheard?

“The Best Men Always Win” challenges the myth that success equals superiority — and asks what kind of world we could build if we stopped believing that lie.

"So next time they preach with that look in their eye. Ask who wins when you’re scraping by."

We’ve all heard the story: if you work hard enough, you’ll make it. You don’t need help. Just grit, grind, and bootstraps. But what if that story was… a lie?

“The Cowboy Lied” is a folk protest song that unpacks one of America’s most enduring myths — the rugged individualist, the lone cowboy. It’s a myth that sells us pride while quietly eroding our public systems, slashing taxes for the rich, and convincing us that help is weakness.

This song is for everyone who's ever been told “you’re on your own” in a system built to serve the few. It’s time to dust off the old stories and ask who really wins when we buy into them.

"Tell me, who survives. When the winner's dead inside?"

What happens when success is everything — and it’s still not enough?

“Plastic Sky” is a song about South Korea's high-achievement, high-pressure culture — where exam scores define futures, faces are sculpted for acceptance, and youth are quietly burning out under corporate skyscrapers.

This isn’t just a song. It’s a reflection on a culture trapped in an unbalanced version of modernity — what some call the “Orange” value system. Status, image, and performance reign supreme… but at what cost?